Looking at my IW queue today, I noticed a large number of films set to expire on October 1, and that all my silent film selections were included. I then looked up some others, and every silent film I checked will be off on that date. The selection included many classics, including The General , The Cabinet of Dr. Caligari , Nosferatu, The Battleship Potemkin. I'm planning to watch as many silent films as I can before that date.
I would assume that a lack of interest among NF subscribers has caused this result. While I'm sure that these will remain available on DVD, it seems somewhat sad that this major segment of movie history is being eliminated from one way of viewing.
I don't think it is lack of interest, but just that Netflix obtained the rights to show these for the same period of time. Be sure to check out the Instant Watch Treasure Hunters occasionally to see what else might expire soon.
I've been watching a lot of Chaplin this month, hoping to catch as much as I can before it is removed. (Currently watching Slapstick Masters) I don't have enough time to catch all the ones I have in my IW queue that are expiring soon, but I'll try to get in as much as I can. The Battleship Potemkin will most likely be next up.
Thanks for responding. Those licenses could be renewed, and I can't imagine that they would cost much. It's also odd that all the silents end on October 1. I love Slapstick Masters. Laurel & Hardy's Big Business and Chaplin's Easy Street are great stuff.
Yes its mostly lack of interest, the silent movies just aren't in many people's instant queues and are not being watched. The main complaint about instant is lack of new and popular content, so Netflix is spending its pennies on the latest CBS and Disney Channel shows for instant watching, and if you really want to watch silent movies, the DVD's are still available.
If you are ever in the San Francisco Bay Area, you can visit the original Essenay site at Niles near Fremont. There is a film museum in the old theater, they have Charlie Chaplin events in the summer and the old railway train runs up and down Niles Canyon to Sunol. Well worth a trip.
Adrian: Why can't NF simply work out a royalty payment per view system for some of the more esoteric offerings, like silent films?
Then each year (or in some other time frame), NF pays the rights holders based on the number of viewings. If no one watches a given movie, then no or very little payment is made but it stays in the system. But if its watched 100 (or 1000 or whatever) times, then a proportionate payment is made. This seems pretty fair and it would allow NF to give its subscribers instant access to more diverse titles than just what is currently popular without having to break the bank on NF's part.
This way, the IW selection doesn't have to be compromised because the cost of less popular titles is proportionately less.
The short answer is that its much more complicated than you would think, and Netflix has a certain amount of money and a group of busy people working on content deals, so they have to pick the most effective things to spend their time and money on....
Out of curiosity, Adrian, were there those in NF who wanted to keep the silents or at least some of them? Somehow it would be nice to know that NF has employees who recognize the importance of film history and may try to have silent films back on IW if the financial conditions become more favorable.
Thankfully, I noticed this a couple weeks ago and have been able to watch those that I had in my queue. I have to admit that I'm a bit tired of silents for this month. Those that I've watched in the last two weeks before they go away tonight: Storm Over Asia, The Phantom of the Opera, October, Orphans of the Storm, Strike, The Thief of Bagdad, Koyaannisqatsi: Life Out of Balance, Way Down West, and Vampyr
If you're looking for a good one to watch before they're gone then I suggest The Phantom of the Opera or The Thief of Bagdad
In the days before the final curtain of IW silent films, I re-watched The General and Nosfertu, and watched The Phantom of the Opera, Storms Over Asia, Dreyer's, The Parson's Widow, and Ernst Lubitsch's The Marriage Circle. All were well worth seeing. On the Lubitsch film, if you liked Design for Living and Trouble in Paradise, you would like that, and may be worth a DVD que slot.