I had read that "The Magdalene Sisters" was based on a true story but that usually means that significant alterations of reality were made. After watching the film, I watched the documentary from the extra features. All the most horrific parts of the film were just about exactly true. It all happened in a supposedly "civilized" country, not that long ago. My mother remembers walking past the Magdalene laundries, as a girl, never knowing what went on behind those closed doors.
I thought Henry was boring to be honest. I dont know if its because I watch a lot of crazy stuff or it just didnt live up the hype. All the way through I was like This is It?
I see that you rated "Schindler's List" highly. None of the images in "The Magdalene Sisters" were more intense than that. I can remember only once scene from "The Magdalene Sisters" that was more intense than the preview that is shown at Netflix. Significant sexual abuse of young women is implied but not shown.
The most harrowing part, for me, was the documentary from the bonus features, in which actual survivors look straight into the camera as they testify, with quiet dignity and poise, that most of the worst parts were true. That was the part that really wrung me out.
This film is not walk in the part. Do not let me sell you on it. I hope that I have given you enough information to let you decide for yourself.
I don't think I've ever really been disturbed by a movie as a whole, though my intense disliking of Spiders kinda made "Arachnophobia" creep me out, but I have "Caligula" in my Queue now and have high hopes for being disgusted. Cheers!
Peter O'Toole, there is so much to love about it, scenery chewing acting, terrible direction and hardcore footage cut into it by Penthouse editor in Chief.
MovieGirl I know you didn't care for it at all, but those of us you relish bad cinema call this one one of the Holy Grails of greatness.
Pier Paolo Pasolini's
Salò o le 120 giornate di Sodoma (1975)
From imdb.com:
Plot Outline
Set in the Nazi-controlled, northern Italian state of Salo in 1944.
Four fascist libertines round up 9 teenage boys and girls and subject them to
120 days of physical, mental and sexual torture.
Based on a novel by Marquis de Sade.
First part of Pier Paolo Pasolini's Trilogy of Death. The subsequent two parts were never filmed because Pasolini was murdered some months after he finished this movie. The death trilogy was intended as a complement to the previous Trilogy of Life, which includes Decameron, Il (1971), Racconti di Canterbury, I (1972) and Fiore delle mille e una notte, Il (1974).