The Devil's Backbone
Yes
Amelie
The Proposition (set in Australia)
Sin City
American Beauty
Crouching Tiger, Hidden Dragon
Closer
What I Snack on in Movie Theaters
Occasionally a giant box of Milk Duds, but usually just water.
About Me:
A bore, really.
More? Well, I'm a nontraditional student with two yappy dogs and a quasi cat (she's not really mine, just hanging out for a while). School was exciting the first semester, but now it's a TREMENDOUS drag. (my apologies if you are a professor, but come on....liven it up a bit, why don't you!)
oh... if I can bore you with any more minutia, drop me a note below.
My note to you on "Legend of the Seeker" was not intended as a ringing endorsement (nor a dire warning). I suspect that it just came along at the right time for me. My brain was tired of my research. Sharing the fantastical adventures of tight-knit characters who grew on me 'till I felt like part of the gang was a perfect counterpoint and a welcome break. It's mental pablum, really. The best part is the chemistry between the principals -- they gaze at each other with real weight behind it.
Good luck with the control freak. All you can really do is scratch your tally of days into the stone wall of your cell, as you dream of freedom (and perhaps revenge), like The Count of Monte Cristo.
[:-)] Mark
P.S. I have also seen nothing of "Pam & Jim" this season. I am waiting until next fall when I can watch the episodes on Netflix, without commercials.
With no internet or 'phone at home, I'm just in the office, briefly, to inform my mother that my fever from yesterday has broken. It pleases her greatly to stay abreast of such matters, though I am really far too old for coddling. I am still behind on my sleep, so this might be a short note.
I feel rather badly that you troubled yourself with such a long letter when it is clear that you are swamped. The time will come when my job will require a long hiatus at my end. I am relieved, not peeved that you got busy yourself. That will make us even, over the long haul.
My French is not good enough to watch French films without subtitles. Oddly, however, I do enjoy French films with subtitles more than, say, German or Dutch films, with subtitles. The French just sounds familiar and correct, in my ear.
It is a bummer that you were paired with a control freak. When I was a kid at school, it often occurred to me, several times a day, that some of my teachers had chosen a profession (perhaps unconsciously) that would allow them to capriciously boss people around (because kids have fewer rights). As you must know, there is no solution beyond gritting your teeth. Sorry.
The possibility of not finding a job is also a bummer. There is little I could write that would not be a platitude. Suffice to say that I do believe in optimism.
When I moved from Connecticut, I left my television behind. In the same spirit, I try to watch very little IW television. Mostly, I just watch "The Office" -- often fast-forwarding to the Jim & Pam parts. One weekend, I was fed-up with my research and watched an entire season of "The Legend of The Seeker" back-to-back. That is the only television that I have watched at Netflix. The absence of commercials delights me!
To be honest, I was dubious about most of the replies to my thread. One person suggested that perhaps the digital IW file had become corrupted and that Netflix had not bothered to "re-scan" the disk (for lack of the right term). It still seems suspicious that the only unavailable episode is the one with the word "gay" in the title.
I am getting busier as Christmas exams approach. Please do not feel that you must write a long reply. I will not have the time to repay you in kind.
[:-)] Mark
P.S. On the subject of Jim & Pam, I have completed another chapter in my graphic novel (see attached)
By chance, I was glancing over some of my old Netflix notes to you and it occurred to me that some of them might be serviceable as reviews. I am going to start posting a few. I somehow felt that you should get advanced notice, as the original recipient.
I'm still crazy-go-nuts busy here so it's great that you seem occupied.
When viewing the thread of our conversation, my browser displays an image that shows the route of the NYC marathon, with a little icon representing my brother at the finish line.
I am also really, really busy. It was very convenient to fill most of my last message with a large picture. If you run out of things to do then give yourself a break. No need to weary your fingers with typing here.
No, no, we do not know each other, yet....
I was just cruising around in the Nebraska/Kansas territory and you popped up, looked interesting, so I thought I'd say "hi". Hi.
Going in, I had feared that "Easy Virtue" might be a vehicle for Jessica Biel, and it was, but the defect that I had anticipated was actually an unanticipated strength. The story was about a glitzy American who seemed out of place among the rustic populace of rural England. The portrayal of incongruity among fictional characters was enhanced by actual incongruity among the actors who played them. The neophyte Jessica Biel looked truly out of place when paired with the magnificent Colin Firth and the redoubtable Kristen Scott Thomas. Unfortunately, though helpful, the advantage of art imitating life proved insufficient to secure my enjoyment of the film.
Less than satiated, and bemusedly so, I turned to the director's commentary as a possible source of further entertainment. The cause of my malaise was revealed. The director reported that he had accepted the project while medicated in hospital. Otherwise, he might never have agreed to do a period drama. In so many words, he then explained working to overcome the setting and subtly give the film a more modern aesthetic. To me, that was a huge mistake. In the period between the world wars, and in the period after the second, life still seemed evanescent and people lived it desperately. Reckless abandon was tinged with melancholy. The times were a crucible for human emotion and thus provide an almost ideal backdrop for powerful yet believable drama. To me, "Mrs. Henderson Presents" and "Miss Pettigrew Lives for a Day" both capitalized on a post-war setting, while "Easy Virtue" squandered the opportunity in an effort to seem more hip.
From the commentary, I also learned that the other actresses had all been made to seem especially dowdy, in order to make Jessica Biel seem more luminous. One of the young actresses began referring to the make-up trailer as the "ugly wagon" and was once sent back repeatedly, by the director, until she ultimately bust into tears. The director also reported that Jessica Biel and Justin Timberlake would play Scrabble in her trailer, for hours on end, whenever he came to visit her, on the set. Several days later, it occurred to me that perhaps "Scrabble" had been used as a euphemism.
[:-)] Mark
Incidentally, the acting, art direction, cinematography and delightful music in "Paris 36" all capitalized on the 1936 time period to yield a heart-wrenching, heart-warming, delightful piece of cinema.
thanks for the lovely compliment, by the way :) That review of Judgement Day was actually one I felt pretty strongly about (that's the nature of documentary reviews I guess). It's nice to see I'm not the only one!
I had not intended to queue multiple films about dysfunctional families. That is not usually a genre that works for me. I find it hard to relate.
I queued "Away We Go" because I love John Krasinski as a romantic lead and a movie with an unglamorously pregnant female lead struck me as novel. I chose "Easy Virtue" because I love Colin Firth and I tend to like films that harken-back to bygone eras, which explains "Paris 36" as well. I chose "The Squid and the Whale" because I love Laura Linney. I chose "The Village Barbershop" because it seems to promise a "cantankerous old man vs. charming ingénue" that often works for me.
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Good luck with the control freak. All you can really do is scratch your tally of days into the stone wall of your cell, as you dream of freedom (and perhaps revenge), like The Count of Monte Cristo.
[:-)] Mark
P.S. I have also seen nothing of "Pam & Jim" this season. I am waiting until next fall when I can watch the episodes on Netflix, without commercials.
I feel rather badly that you troubled yourself with such a long letter when it is clear that you are swamped. The time will come when my job will require a long hiatus at my end. I am relieved, not peeved that you got busy yourself. That will make us even, over the long haul.
My French is not good enough to watch French films without subtitles. Oddly, however, I do enjoy French films with subtitles more than, say, German or Dutch films, with subtitles. The French just sounds familiar and correct, in my ear.
It is a bummer that you were paired with a control freak. When I was a kid at school, it often occurred to me, several times a day, that some of my teachers had chosen a profession (perhaps unconsciously) that would allow them to capriciously boss people around (because kids have fewer rights). As you must know, there is no solution beyond gritting your teeth. Sorry.
The possibility of not finding a job is also a bummer. There is little I could write that would not be a platitude. Suffice to say that I do believe in optimism.
When I moved from Connecticut, I left my television behind. In the same spirit, I try to watch very little IW television. Mostly, I just watch "The Office" -- often fast-forwarding to the Jim & Pam parts. One weekend, I was fed-up with my research and watched an entire season of "The Legend of The Seeker" back-to-back. That is the only television that I have watched at Netflix. The absence of commercials delights me!
To be honest, I was dubious about most of the replies to my thread. One person suggested that perhaps the digital IW file had become corrupted and that Netflix had not bothered to "re-scan" the disk (for lack of the right term). It still seems suspicious that the only unavailable episode is the one with the word "gay" in the title.
I am getting busier as Christmas exams approach. Please do not feel that you must write a long reply. I will not have the time to repay you in kind.
[:-)] Mark
P.S. On the subject of Jim & Pam, I have completed another chapter in my graphic novel (see attached)
StressRelief.pdf
I'm still crazy-go-nuts busy here so it's great that you seem occupied.
[:-)] Mark
[:-)] Mark
[:-)] Mark
[:-)] Mark
I was just cruising around in the Nebraska/Kansas territory and you popped up, looked interesting, so I thought I'd say "hi". Hi.
Less than satiated, and bemusedly so, I turned to the director's commentary as a possible source of further entertainment. The cause of my malaise was revealed. The director reported that he had accepted the project while medicated in hospital. Otherwise, he might never have agreed to do a period drama. In so many words, he then explained working to overcome the setting and subtly give the film a more modern aesthetic. To me, that was a huge mistake. In the period between the world wars, and in the period after the second, life still seemed evanescent and people lived it desperately. Reckless abandon was tinged with melancholy. The times were a crucible for human emotion and thus provide an almost ideal backdrop for powerful yet believable drama. To me, "Mrs. Henderson Presents" and "Miss Pettigrew Lives for a Day" both capitalized on a post-war setting, while "Easy Virtue" squandered the opportunity in an effort to seem more hip.
From the commentary, I also learned that the other actresses had all been made to seem especially dowdy, in order to make Jessica Biel seem more luminous. One of the young actresses began referring to the make-up trailer as the "ugly wagon" and was once sent back repeatedly, by the director, until she ultimately bust into tears. The director also reported that Jessica Biel and Justin Timberlake would play Scrabble in her trailer, for hours on end, whenever he came to visit her, on the set. Several days later, it occurred to me that perhaps "Scrabble" had been used as a euphemism.
[:-)] Mark
Incidentally, the acting, art direction, cinematography and delightful music in "Paris 36" all capitalized on the 1936 time period to yield a heart-wrenching, heart-warming, delightful piece of cinema.
I queued "Away We Go" because I love John Krasinski as a romantic lead and a movie with an unglamorously pregnant female lead struck me as novel. I chose "Easy Virtue" because I love Colin Firth and I tend to like films that harken-back to bygone eras, which explains "Paris 36" as well. I chose "The Squid and the Whale" because I love Laura Linney. I chose "The Village Barbershop" because it seems to promise a "cantankerous old man vs. charming ingénue" that often works for me.
[:-)] Mark
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