I'd have to agree with Crichton to a point, that true to life scientific process doesn't make for good drama.
Science doesn't progress at the speed-of-plot. It also doesn't make reality changing discoveries "whole cloth" terribly often. Much more ...
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Rang-e khoda (1999, Majid Majidi, Iran)
Khab-e sefid (2002, Hamid Jabeli, Iran)
Bom yeoreum gaeul gyeoul geurigo bom (2003, Ki-duk Kim, Korea)
Amores perros (2000, Alejandro González Iñárritu, Mexico)
Cidade de Deus (2002, Fernando Meirelles, Brazil)
Hable con ella (2002, Pedro Almodóva, Spain)
Dogville (2003, Lars von Trier, Denmark)
Bitter Moon (1992, Roman Polansky, France)
The Dreamers (2003, Bernardo Bertolucci, Italy)
Modern Times (1936, Charles Chaplin, United Kingdom)
The Elephant Man (1980, David Lynch, United States)
Peaceful Warrior (2006, Victor Salva, United States)
Dead Man (1995, Jim Jarmusch, United States)
Fight Club (1999, David Fincher, United States)
Before Sunrise (1995, Richard Linklater, United States)
Before Sunset (2004, Richard Linklater, United States)
City of Angels (1998, Brad Silberling, United States)
What I Snack on in Movie Theaters
Nothing
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